There are many aspects of the documentary that I feel I have captured well, this includes the accuracy of the arguments of the Rastas. When I played the documentary for the Rastafarians, they felt I had represented them in their true light.
Putting it all together...The editing phase.
There I was, with over four hours of raw audio material, and now I had to somehow find the best twenty four minutes and place it in a clear, coherent order. I had been so involved in all the conversations and chanting, that I decided to capture as much material as possible, instead of narrowing it down to one theme. For the final piece I am rather thankful for obtaining so much material, but at the beginning stages, the hours spent sliming it down felt like an eternity.
King Haille Selassi I
This is a replica of the picture in the middle of the alter. Notice the lion in the background. This animal is a symbol of the spirit of the Rastafarians, their dreadlocks are also known to mimic the lions mane.
Rastafarian Dreadlocks
At least five of the Rastafarians had been growing their dreadlocks for over a decade now, one reached hip length.
Two sevens clash.
This sign is made when two rastafarians meet, or when the chalice is passed on to ther next elder. It is a sign of respect and love, as it creates a bond between the elders.
The Last Supper
This photo is hanging in Benjamin's house. It is a symbol of how christianity and Rastafarianism are linked.
About Me
- Ross
- I am a fourth year radio student studying at Rhodes University in Grahamstown. This blogsite will document my last year of Radio Journalism as a student. My aim is to be as proffesional as possible in this industry, and to take all my academic assignments as seriously as if they were for a corporation. Below will hold various accounts of my experiences, as well as how I feel I will grow as a journalist.